Our Current Issue

The Syrian War Has Taken Us Prematurely to Hell!

By 
Father George Massouh

The crimes committed in Syria have surpassed what the human mind can imagine in terms of horrors and atrocities. Undoubtedly, in our cruel East, we have become accustomed to living with this reality, which plunges us down to the depths of hell. This horror lies in our acceptance of what occurs in our countries while we continue our daily lives as if nothing is happening, and justify the violence as a defense of central causes or as wars against terrorism.

 

The crimes committed in Syria have surpassed what the human mind can imagine in terms of horrors and atrocities. Undoubtedly, in our cruel East, we have become accustomed to living with this reality, which plunges us down to the depths of hell. This horror lies in our acceptance of what occurs in our countries while we continue our daily lives as if nothing is happening, and justify the violence as a defense of central causes or as wars against terrorism. As if some want to convince us that terrorism can be defeated by “counter” terrorism.

Women of the Revolutions: The New Faces of Arab Feminism

By 
Angele Ellis

“Nada’s Revolution” follows the tale of the 27-year Nada Ahmed, an Alexandrian woman looking to make decisions about marriage and career in the years after the revolutionary wave of the Arab Spring. In “Feminism Inshallah: A History of Arab Feminism,” Feriel Ben Mahmoud, the film’s director, traces the beginnings of feminism to male feminists such as the Egyptian Qasim Amin (1863-1908), whose nationalist aspirations for Egypt fueled his assertion that the Quran supported women’s rights—essential to throwing off the yoke of colonialism and joining the modern world.

 

Feminism Inshallah: A History of Arab Feminism
Directed by Feriel Ben Mahmoud
Women Make Movies, 2014

Nada’s Revolution
Directed by Claudia Lisboa
Women Make Movies, 2014

 

Sin, Redemption, and Visions of Female Illness in Modern Arab Literature

By 
By Bobby Gulshan

Hamdar’s examination of the female body in illness and suffering presents a compelling contribution to the body of literary criticism of Arabic Literature. She invokes strains of critical thought—like Foucault and the idea of discourse—using them to map the development of the image of the female body in recent Arabic literature. 

 
The Female Suffering Body, Illness and Disability in Modern Arabic Literature
By Abir Hamdar

New Issue of Al Jadid

By 
Al Jadid

Al Jadid is just out (Vol. 19, No. 68). The cover (“Encoded History 1” 2015) by Doris Bittar. Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com). As usual, the new issue is rich with essays and features, book, film and TV reviews, fiction, poetry, and a substantive editor's notebook.
ESSAYS AND FEATURES: ‘My Story With You is Different’ by Rima Assaf; ‘Sabah Zwein (1955-2014): An Innovative And Haunted Poet’ by Mike D’Andrea; 

Al Jadid is just out (Vol. 19, No. 68). The cover (“Encoded History 1” 2015) by Doris Bittar. Al Jadid is a Review & Record of Arab Culture and Arts (www.aljadid.com).

‘The Jewish Quarter:’

Second Title 
Ramadan Drama Revisits 40’s Egyptian-Jewish Relations
By 
Elie Chalala

“The Jewish Quarter” has sent some unsettling messages about the “Ramadan series” (or soaps), prompting commentaries in the Arab press and beyond, and finally meriting a feature article in the New York Times. This 30 episode serial, which runs through the month of Ramadan in Egypt, offers a viewpoint unlike that featured in any other serial before or after the Arab Spring.

 

Al Nakba at 67: Generations of Catastrophes

By 
Elie Chalala

I rarely passed on an Al Nakba remembrance, an event which was pivotal in forming my political and moral consciousness during my early days in Beirut and in my academic diaspora. Nowadays, I reserve my aggravation for those intellectual cowards who saw nothing in Al Nakba except a shelter to hide from their shameful silence on one of the most horrific “Nakbas” in modern Arab history.

I rarely passed on an Al Nakba remembrance, an event which was pivotal in forming my political and moral consciousness during my early days in Beirut and in my academic diaspora. Nowadays, I reserve my aggravation for those intellectual cowards who saw nothing in Al Nakba except a shelter to hide from their shameful silence on one of the most horrific “Nakbas” in modern Arab history.

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