Recent Stories

Lebanon Still Overshadowed by Oblivion As Port Blast Aftermath Enters Fourth Year

Art has played an influential role in making sense of the loss felt after the August 4 explosion. Tom Young’s “Strong Angels” and other paintings show a human dimension of the tragedy and its civilian heroes, who “join forces to lift the city’s grief,” writes Darine Houmani of Diffah Three (The New Arab). “Despite all its devastation, the August 4 explosion brought greater impetus to preserve our heritage and brought about a database of our historical buildings that hadn’t been done before,” states Mona Hallak, an architect, heritage activist, and director of the American University of Beirut’s Neighborhood Initiative, as cited in The New Arab. Several weighed in on the rebuilding efforts, including Lebanese architect Jad Tabet, who proposed “rehabilitation” rather than “reconstruction,” focusing on preserving the city’s existing social fabric and inhabitants alongside the architecture (for further reading on Jad Tabet and architectural heritage, see Al Jadid, Vol. 4, No, 25, Fall 1998; Vol. 5, No. 26, Winter 1999; and Vol. 24, No. 79, 2020). As art historian and gallery owner Andrée Sfeir-Semler says, “You need to nourish people with art and culture because that is what feeds their souls.”

Pages

Subscribe to Al Jadid

Our Current Issue

A Meditation on the Fractured Self: Wajdi Mouawad’s Autobiographical ‘Mother’ Revives Memories of Relationships Fragmented by War

Retrospective Look at Mouawad’s ‘Most Lebanese’ Play in Wake of Recent Boycott Campaign in Lebanon
By Naomi Pham
 
From his award-winning play “Littoral” and its continuation, “Incendies,” Wajdi Mouawad frequently delivers compelling narratives surrounding family — whether it be a bereaved son navigating the complications of burying his father in his native, war-torn Lebanon like in “Littoral,” or in “Incendies,” where two siblings based in Montreal return at the request of their dead mother to their birthplace in the Middle East in search of a father and brother they’ve never met. Like a connective tissue between many of his creative works, it comes as little surprise that family also takes a focal point in his autobiographical theater series, in which war-consumed Lebanon is as much the setting as the Parisian apartment 10-year-old Mouawad’s family lived in for five years while waiting for the war’s end. “Mother,” which the director presented in 2021, echoes a diaspora that Antoine Gouki of Independent Arabia considers “Promethean torture,” and critic Alma Abu Samra in Al Akhbar writes very likely felt no different from the basement shelters with which Lebanese families living through the civil war were all-too-familiar.
Theatre

The Art of Conveying Joy: The Late Latifa Multaqa on the Human Connection Between Actor and Audience

By Naomi Pham


A pioneer of female directors in the history of modern Lebanese theater, Latifa Multaqa has guided generations of actors since Lebanon’s golden age of theater, embodying the art of theater as an actor, director, and teacher. Multaqa, 92, passed away on April 9, 2024, joining her husband and partner on stage, Antoine Multaqa, who left this world a few weeks prior. Since the 60s and 70s, the Multaqa duo have established their reputation as pillars of modern Lebanese theater, opening doors to experimental theater alongside fellow pioneers Muneer Abou Debs and Raymond Jebara. From the legal pulpit to the stage, Latifa Multaqa laid the groundwork for serious avant-garde theater, and in mentoring students even after she retired from teaching, played an invaluable role in fostering the growth of Lebanon’s theatrical talent for generations to come.

Essays and Features

Antoine Multaqa, Enduring Pillar of Lebanon’s Golden Age of Modern Theater, Exits the Stage

By Naomi Pham

While Arab theater sits at a crossroads amid questions about its path toward the future, another pillar of modern Arab theater exits the stage. Antoine Multaqa, 91, who passed away in his sleep on February 21, 2024, nurtured the development of experimental theater alongside his wife, fellow director and actor Latifa Multaqa (née Chamoun), during Beirut’s golden age of theater. In its current state, Arab theater stands a shadow of its former self, nowhere nearly as celebrated as it was during the 1960s and 1970s when Antoine Multaqa, Muneer Abou Debs, Raymond Jebara, and others ushered modernism to the Lebanese stage. Modern theater was the backbone of cultural life in Beirut. At a time when theater mainly depended on translated works, poets played active roles in writing and translating plays, bringing Western classics by Sophocles, Shakespeare, and Brecht to Arab audiences. Multaqa’s passing is a nostalgic reminder of Lebanon’s theatrical heyday and the dilemma it faces today, caught between modernity and postmodernity.

Essays and Features

From Humble Roots to Self-Made Star: Undefeated by Time, Cultural Icon Umm Kulthum Captivates Arab and Western Interest Half a Century After Her Death

By Naomi Pham


Although nearly 50 years have passed since her death, Egypt’s beloved diva, Umm Kulthum, has continued to captivate generations. One can still hear her alluring voice emanating from cafes and car radios in the streets of Egypt or find photographs from her famous performance at Paris’ L’Olympia Theater sold as merchandise. She has consistently remained in the spotlight long after her death, with new books and other artistic homages giving a retrospective of her life and career. 

Essays and Features

Hussein Madi (1938-2024): An Artist Whose Lifelong Embrace of Nature Created an Art That Will Endure

By Naomi Pham


In recent years, media reports have raised concerns over a worrying decline in the Arab cultural scene. Government restrictions on the media and artistic expression have taken a toll on art and cultural production across the Arab world, whether in literature or art. In Lebanon, where the ongoing liquidity crisis has continued unabated since 2019, discontent with the state and worsening economic conditions were intensified by the pandemic and the disastrous explosion of Beirut’s port in August 2020, a tragedy still fresh on the minds of many. The blast decimated large parts of Beirut’s arts and cultural neighborhoods, Gemmayzeh and Mar Mikhael, among several others. Its aftermath witnessed damage not only to galleries, museums, and historic architecture but also to livelihoods, leading many Lebanese artists to emigrate after the explosion. Small victories have risen since then as museums and galleries slowly recover. Still, critics worry about an artistic drought, especially after the recent passing of one of Lebanon’s renowned artists, Hussein Madi.

Essays and Features

BOOK REVIEWS IN THE CURRENT AL JADID, VOL. 24, NO. 79, 2020

The Arab-Israeli Conflict: How the American Left Grabbed the Third Rail of American Politics
By 
Michael Teague
 
The Arab-Israeli conflict has long been a divisive issue in the left lane of American politics. Bitter disagreements came to the fore, especially during periods of armed conflict and subsequent occupation, such as the wars of 1967 and 1973, and Israel’s invasion of Lebanon in 1982.

Once Hopeful Lebanon Faces Crises and Hopelessness as it Marks First Anniversary of its 17th October Uprising!

By 
Elie Chalala

Those who are looking for signs of Lebanese hopelessness need only look out over the waters of the Eastern Mediterranean sea, or to the doors of Western embassies in Beirut. The sea is where the Lebanese tragedy is really being played out, as hundreds board rickety vessels for the perilous journeys to neighboring Cyprus. We need to abandon the illusions that such deadly trips originate from countries other than Lebanon. A brief glimpse at the news, with all the stories of drowned and dead Lebanese, is more than enough to liberate us from the delusions of Lebanon’s “exceptionalism.”

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 79, 2020

Lebanon, Corrupted, Blasted, Burning, ‘Celebrates’ in Irony the Centennial of Its Foundation
By 
Elie Chalala

The Lebanese political scene has a melancholy and desperate mood. The country suffered shock after shock, from the economic-financial meltdown to the COVID-19 pandemic, all the way to the explosion at its main port, a significant economic lifeline disabled when most needed. Most heartbreaking is watching and listening, even from afar, as Lebanon celebrates its centennial birthday while lacking the resources to extricate itself from its present predicament and being left to plead with foreign countries and economic institutions for humanitarian and economic assistance. Aside from the legitimate requests needed to address the consequences of the port explosion, Lebanon lacks the essential prerequisites of a functioning and legitimate state.

The ‘Grand Compromise’ Between Lebanon’s ‘Strong Presidency’ and Iran’s 'Rejectionists' Hastens the Demise of Lebanon’s Economy

By 
Elie Chalala

In early July, we wrote about two suicides in Lebanon while holding off on a third until we fact-checked it. Subsequently, the Beirut-based Al Modon newspaper wrote about a total of four suicides, including the two reported here. The article’s author deliberately stressed the reasons behind the suicides were not personal, but rather related to deteriorating economic conditions and the loss of dignity.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

How Lebanon’s ‘State within a State’ Escalated Financial Disaster: Two Beirut Landmarks – AUB, and Le Bristol Hotel – the Latest Collateral Damage
By 
Elie Chalala

It is painful to witness, even from afar, what recently befell Lebanon. This agony springs from the memories of my formative years during Lebanon’s post-independence era, when resentment of its ruling elites consolidated my belief in the necessity of change. I left the country without the reform wish fulfilled, and later watched the flames of civil war consume hopes of change – even when guns fell silent after the country’s second constitution in 1989. While the Lebanese started to come together to embark on reconstruction of the country, corruption, sectarianism, and the plundering of state’s resources soon took over.

ESSAYS IN FORTHCOMING AL JADID, VOL. 24, NO. 78, 2020

Farah Al-Qasimi: Between Two Worlds: Arab Americans in Detroit
By 
Al Jadid Staff

The works of photographer Farah Al-Qasimi touch on the intricacies of life as an Arab American in Detroit, with each frame capturing both Arab and Western aesthetics. Of the 22 countries belonging to the “Arab World,” as defined by membership in the League of Arab States, seven – Lebanon, Palestine, Syria, Iraq, Egypt, Jordan, and Yemen – are prominently represented by immigrants in Metro Detroit. The Arab American community is also diverse in its religious representation, with Islam and Christianity in their Middle East iterations represented by a variety of sects and denominations including Chaldean, Coptic, Druze, Greek Orthodox, Maronite, Melkite, Shi’a, Sunni, and Syrian Orthodox.

Pages