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‘details stolen from the heavens’: Rich Anthology of Love Poems Spotlights New Generation of Anglophone Arab Writers

Angele Ellis

We Call to the Eye & the Night: Love Poems by Writers of Arab Heritage
Edited by Hala Alyan and Zeina Hashem Beck
Persea Books, 2023
 
Reading the two hundred poems in “We Call to the Eye & the Night” — an anthology that contains the work of 85 contemporary Anglophone poets of Arab heritage — gives the reader the sensation of gazing into a brilliant night sky, one that is both familiar and strange. Venus, whose association with the goddess of love animates this book, shines more brightly than usual, as sharply visible as the crescent moon. Some of the stars are familiar — such as Fady Joudah, Naomi Shihab Nye, Philip Metres, Mohja Kahf, Hayan Charara, Nathalie Handal, Glenn Shaheen, Hedy Habra, Lisa Suhair Majaj — while others have risen to join them in new constellations. Forty of the poets represented here were born in 1990 or afterward, including George Abraham (recently named editor of Mizna Journal), Leila Chatti (who teaches at Smith College), Mohammed El-Kurd (Palestine correspondent for The Nation), Noor Naga (who teaches at the American University in Cairo), Fargo Nissim Tbakhi (who teaches at Towson University), Jess Rizkallah (an author and illustrator), and Nadim Choufi (also a videographer and sculptor, as well as co-Programs Director at Beirut Art Center).

Nazik al-Malaika: Queen of Free Verse Remains Uncertain

Fifty Years of Debate Yield No Consensus Over Her Place on the Throne of New Arabic Poetry
By 
Elie Chalala

Rarely do I open a cultural page in Arab newspapers, whether print or online, without catching wind of new discourse on modern poetry. Though I have never written poetry, the topic naturally draws my interest as an academic in political science, lecturing on debates between tradition and modernity for nearly a third of a century...Debates between traditional and new poetry shouldn’t be dismissed as simply Byzantine arguments. Such discourse indicates significant changes in the Arab world, including modernization and later globalization. Several critics have raised this discussion, the latest of which was in a column by Aref al-Saadi in Asharq Al Awsat, who writes, “I say this based on a slow study of our contemporary poetry and its trends, and I say it because it is the logical result of our willingness to read European literature and study the latest theories in philosophy, art, and psychology. In reality, those who want to combine modern culture with ancient traditions of poetry are like those living today in the clothes of the first century of immigration.” According to Saadi, there are two alternatives to discussing modernity and tradition: “Either we learn the theories, are influenced by them, and apply them, or we do not learn them at all. It may be useful for us to remember that the development in the arts and literature in a given era arises from the meeting of two or more nations.” Closed nations don’t produce anything new but merely repeat what their ancestors did.

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