The Cultural View from Within and Without

Nawal El-Saadawi’s ‘Daughter of Isis’ Life and Times via the Plenitude of Her Writings

By D.H. Melhem

Rarely have I missed the annual remembrance of the Lebanese Civil War. My main concern has always been the need to talk about it and insist on facing its causes and consequences. With this in mind, I have published and edited quite a few contributions during the past 20 plus years of Al Jadid’s life.

Stories of Change: Beyond the Arab Spring
Edited by Kari Lundelin and Rebecca Simons
Schilt Publishing, The Netherlands, 2014.

BY ALYSSA WOOD 

Let’s begin with the title of the book. What do you mean by the “orphan revolution?”

The Story of Joseph: A Fourteenth Century Turkish Morality Play
By Sheyyad Hamza
Translated by Bill Hickman
Syracuse University Press, 2014, 168 pages

BY ANGELE ELLIS

The Penguin’s Song
By Daoud. Hassan
Translated by Marilyn Booth.
City Light Books, 2014.  222 pp. 

BY LYNNE ROGERS

The Man From Bashmour
By Salwa Bakr
Translated by Nancy Roberts
Cairo University Press, 2007, 296 pp.

BY REBECCA JOUBIN

“I was still kneading the dough for the Eucharist break, working on getting it just right, with the intention of leaving it after that to rise. I had washed the earthenware kneading bowl in ritually pure water, as well as the lid and the sieve. The priest was standing over me, reciting the Psalms and making the sign of the cross.”

BY ERIC EDERER

Swing Hakim
By Swing Hakim
Independently produced, 2011

BY LYNNE ROGERS

The Moor's Account
By Laila Lalami
Pantheon Books, 2014, pp. 324.

Silver Treasures from the Land of Sheba: Regional Yemeni Jewelry
By Marjorie Ransom
The American University in Cairo Press, 2014

By Alyssa Wood 

Infidel Kings and Unholy Warriors
By Brian A Catlos
Farra Staruss and Giroux, New York, 2014

By Bobby Gulshan

Sherazade
By Leila Sebbar
Interlink Publishing Group, 2014, pp. 285.

By David Aossey

Contemporary Arab-American Literature: Transnational Reconfigurations of Citizenship and Belonging
By Carol Fadda-Conrey
New York: NYU Press, 2014.
 

By Theri Pickens

Victoria College: The Making of Royalty and Celebrities (In Arabic)
By Dalia Assem
Jadawel, 2014, 360 pages

By Nada Ramadan Elnahla

Although Sabah remained off the stage, professionally speaking, for some time, the Lebanese kept hearing of and from her. Many Arab generations, especially the Lebanese, would miss her. Few would deny that she had become a household name since the 1950s, and even before. Though her songs varied with time, still she will be remembered most for her traditional folk music where she specialized in a Lebanese folk tradition called the mawal, which held a great appeal for early Lebanese generations, ourselves as well as our parents.

By Rima Assaf

Your fault is that you are dying in large numbers. Thus, you have ceased to be a rare scene. Your crime is that the photographs of your body parts no longer attract advertisers, and thus your death, pain, and displacement have ceased to attract TV viewers.

Over the years, we have devoted a generous space to covering dissent by Arab intellectuals, especially the Syrians. We believed that most of those who were arrested and imprisoned for long periods of time, the poet Farag Bayrakdar, 14 years; Riadh al-Turk, 17 years; Yassin al-Haj Saleh, 16 years, had been viewed as members of different leftist and Communist parties, thus posing threats to a repressive regime.

Watching a Kurdish city almost disappear from its "Kurdishness" as hundreds of thousands flee to Turkey is as painful as watching the millions of other Syrians thrown out into the cold in their own country and in neighboring states. Kobani under siege by ISIS rekindles distant and recent memories of Arab-Kurdish relationship, a history marked by chauvinistic Arab condescension toward the Kurds.

It is amazing how the Syrian regime orders its priorities at a time when an armada of allied forces daily bombards its territory. Nothing appears to restrain Assad’s war against his people. He ignores with equal facility the "global war," ceded daily to ISIS, the blood of 200,000 martyrs, the displacement of millions, and the reflexive, cynical destruction of some of civilization’s most ancient cities. Apparently, none of these facts have any power to instill sense into the Assad clique, otherwise why would they choose to pursue Mrs.

I vividly recall the diatribes of the Baathists and Arab nationalists, during the course of which they even denied that the Kurds have  an ethnic identity of their own, instead asserting that they are actually Arabs! And if they did not know who they were, then we needed to "educate" them! But the important issue remains that the "rejectionists of today/pan-Arabists" rarely, if ever, support the establishment of a Kurdish state, and instead find themselves in the same bed with Mr. Sykes and Mr.

Farewell and thanks to Ahmed Seif (1951-2014) who was called "The sword of the people," and who pushed human rights to center stage

The West-Eastern Divan Orchestra’s participation at the Lucerne Festival coincided with the ongoing conflict between Israel and Gaza, the reverberations of which cannot go unnoted by the ensemble.

The memory seems as though it is wired to store images, images that often live unpredictable lives within the psyche. Aziza, a 15-year old Yazidi Kurdish girl, has been haunting me for more than a week. Her innocent facial expression, a look of fear mingled with cognitive disorientation, continues to disturb me despite the helicopter that ferried her out of Mount Sinjar to safety. CNN’s Ivan Watson, the reporter who aided Aziza onto the chopper, is said to have become choked up with tears on several occasions.

I have often written about the disgraceful institution known as Al Mumannah Media. Now, it appears as though the shame is spreading to other media outlets, including those which openly boast of their adherence to what most journalists consider professional standards.

Broadcasting  “The Honorable Woman” is not an attempt to respond to current events, according to Hugo Blick, the British producer who wrote and directed eight episodes of the 4-hour mini-series.

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