The morning of September 18th, Syrian director and film producer Omar Amirlay drove from his home in Damascus to Amman, Jordan. Four months earlier he had begun a daring project to establish the first Arab school of cinema – the Arab Film Institute.
Essays and Features
Author Salma al-Haffar Kuzbari, most renowned for her work on women activist and literary pioneer Mai Ziadeh, died in Beirut on August 11, 2006, at 83 years of age. Al-Haffar Kuzbari spent 17 years researching the early 20th century literary figure Mai Ziadeh, ultimately publishing three works on her life and accomplishments.
Like her early 20th century heroine, Haffar-Kuzbari was also at the forefront of defending women's rights and equality in what was a strongly patriarchal society.
Art has a tendency to become political fodder, especially when the subject coincides with politically significant events. This tendency was exemplified this year with the successful performance of the musical“Sah al-Noum” (Rise and Shine) by the legendary Lebanese diva Fairuz.
On February 9, the prestigious World Press Photo Award winner was announced. Founded in 1955, this year the World Press Photo Awards received 78,000 photos taken by 4,400 photographers from 124 countries. American photographer and journalist Spencer Platt’s picture of several young, affluent Lebanese in a shiny red convertible driving through the smoky ruins of an Israeli-bombed section of Beirut took the top prize.
Proponents of democracy have long championed its guarantee of individual liberties and civil rights as proof of its legitimacy. In 2003, democracy’s promises were used, along with other reasons, by the United States as a justification for overthrowing Saddam Hussein’s regime in Iraq. The Bush Administration was eager to support elections in Iraq and the Palestinian Territories and happy to see the same process occur in places like Bahrain. The administration embraced the neoconservative assumption that the region’s instability lies in the absence of democratic practices.
“Nashara al-Islam bi-khawafiq al-alam” [“Islam spread under waving banners”]. I could not believe my eyes as I read these words etched in Arabic on a church bell preserved in the Palacio de la Inquisición in Cartagena, Colombia’s foremost resort. It was dated 1317 A.D.
Last fall people in Beirut decided to honor the memory of Georges Schehadeh, a Lebanese poet and playwright who was born and raised in a Lebanese family in Alexandria, and who came to Lebanon when he was in his very early 20s.
I’m not sure whether I’ve been a success or a failure at being a father.
In truth, my circumstances have not made it possible for me to delve thoroughly into this topic. I went into hiding as soon as my daughter was born, and I was arrested before she was four years old. I spent the first five years of my detention with no access to news and no visits. In spite of all that, I feel that I am a father to the point of tears.
When I visited Cairo for the first time and entered the alleys of the of Al Husayn district and Khan Al Khalili, I was overwhelmed with familiarity for the place. It wasn’t a feeling that I had been there once before, but rather as if I knew the details of its daily life. For many years, Naguib Mahfouz’s writings have been my guide to Egypt’s intimate places and formed, for me, burning memories of the streets of Cairo.
Since before “The Trilogy,” that is, since the “New Cairo” (1945), “Khan al-Khalili” (1946), “Ziqaq al-Midaqq” (Midaq Alley) (1947) and others, Naguib Mahfouz has been the most influential fiction author that I have read. I was astonished by the questions he raised and the possibilities he presented in his characters and in the profound events they lived through. I was also amazed at the changes in his characters’ worlds throughout the different periods of his novelistic journey.